Part 2 of my conversation with guest Jay Breitling as we discuss our favorite music of 2023.

Show notes:

• We're in there like swimwear
• On to the top 10 lists
• Breitling's #10: Return to from by Fog Lake
• Breitling's #9: Frog's new release unexpectedly has received critical praise 
• Kumar's #9: Another consistenly great album from Protomartyr
• Breitling's #8: Minimalist excellence from Colleen that tests Jay's French pronunciation skills
• Kumar's #8: After an 11-year absence, the Hives' formula de rock still kicks ass in 2023
• Breitling's #7 and Kumar's #10: Yo La Tengo still bringing the heat, opening the album with 7-minute feedback-laden ripper
• Kumar's #7 and Breitling's #6: Supergroup is actually super, Voltroning into a monster act
• Kumar's #6: Return of the rock with Queens of the Stone Age, chock full o' bangers from a super-tight band
• Breitling's #5: Philly represent with Golden Apples dropping indie pop/rock with the fuzz bass and some wooder ice
• Kumar's #5: SF's Pardoner brings an assortment of guitar sounds from the last 50 years to their latest slack masterpiece
• The '90s sound (and look) is still thriving
• Breitling's #4: More of the Philly goodness with Purling Hiss with the lo-fi hooky guitar rock
• Kumar's #4: Indie power-pop supergroup Eyelids delivers the super-catchy goods
• Breilting's #3: Bay Area shoegaze concern Blue Ocean returns with a weird and rewarding album
• Kumar's #3: Sharp, concise indie post-punk from Kansas-via-Boston act Sweeping Promises  
• Breitling's #2: Ohio-based indie act Connections connects with melodic rockers; RIYL GBV, Feelies
• Kumar's #2: New Zealand post-punk that smashes through with punchy, catchy rippers
• Breitling's #1: Long-awaited reunion album from American shoegaze icons Drop Nineteens does not disappoint
• Kumar's #1: Going into Hellmode with Jeff Rosenstock, who has been consistently releasing excellent albums for the last several years; additional layers of maturity and depth make this release all the more satisfying 

Completely Conspicuous is available through the Apple Podcasts directory. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Part 1 of my conversation with guest Jay Breitling as we discuss our favorite music of 2023.

Show notes:

• Recorded at Clicky Clicky HQ
• The 14th year of "Year in Music" episodes
• Taylor Swift is big, but not bigger than Starbucks
• Breitling making fun of Croz
• Perfect synergy: The Stones tour sponsored by AARP
• Hall v. Oates
• KISS passes the torch to digital avatars of themselves
• The "new" old Beatles song
• Check it out on the YouthTube
• Spotify blows
• The kids love the streaming and whatnot
• Check out Parcheesi Redux Tuesday and Thursday on Mixcloud
• Also check out Brad Searles' show The Almanac on the first Wednesday of every month
• Shout out to the Rollins Archive
• Breitling's honorable mentions: Ted Pauly, Everything But the Girl, Cupid and Psyche, Everasting and Zilla, Superchunk
• Kumar's honorable mentions: Pile, Model/Actriz, Yves Tumor, Fucked Up, Shame, PJ Harvey, Peter Gabriel, Marnie Stern, Replacements' "Tim" reissue, Breeders' Last Splash reissue, Feelies live album of VU covers
• To be continued

Completely Conspicuous is available through the Apple Podcasts directory. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.